FREQUENTLY ASKED QUESTIONS
Q: What do you edit?
A. I edit a wide range of fiction and nonfiction, both for adult and young adult audiences. When it comes to novels, I have a special fondness for literary fiction, historical fiction, literary fantasy, suspense, and books that aren’t afraid to dabble in several genres at once. As far as nonfiction goes, I enjoy working on humor and pop culture, as well as narrative history. In addition to a major English, I have a very dusty East Asian Languages and Cultures background that is always looking to be put to good use.
I am not the best fit for picture books, cookbooks, business books, how-to books, or religious writing that has a very traditionally inspirational bent. However, even if a project is not the right fit, I am always happy to recommend a colleague—or colleagues!—who might be better suited.
Q: How much does something like this cost?
A: It’s hard to quote an exact number without knowing a project’s word count or editing requirements; however, once we’ve been able to chat and I’ve peeked at a sample, I will provide you with an estimated flat fee based on the materials I plan to deliver and the project’s projected hours. There is room for negotiation, and for the addition or removal of various services (i.e. you’d like the full editorial letter, but don’t need the in-text notes).
Q: Do you copyedit or proofread?
A: I do, although I prefer to keep this service separate from projects that I have had hand in developing or line editing. If a project has reached this stage, my feeling is that it deserves a fully fresh set of eyes!
Q: Do you take on writing projects, ghostwritten or otherwise?
A: Yes. I’ve published a YA novel with HarperTEEN under a pen name, and have worked on several television tie-in properties, most recently THE VAMPIRE DIARIES: UNLOCKING THE SECRETS OF MYSTIC FALLS (Insight Editions, 2017) and WILLOW’S SPELLBOOK (Insight Editions, 2017). I am also available for proposal development and ghostwriting opportunities, especially in the areas of humor and pop culture.
Q: Can you talk a little more about writing coaching? What projects might be a good fit for this option?
A: In general, I like to think of this as the choose-your-own editing package. It’s ideal for projects that aren’t yet started, aren’t yet finished, or that you feel might be best edited chapter by chapter, essay by essay, or story by story. If you’re looking for a collaborative process, this might be a good option.
Q: Can you help me find an agent and secure a book contract?
A: While I can suggest agents who specialize in your project’s genre—or note agents who may have recently sold a similar project—the truth is that it is impossible to guarantee anything in publishing, and that includes securing agent representation or a book contract. The best tool you have is a strong manuscript.